computer 1.0

‘Computer 1.0’ is a large-scale textile woven by hand using hollow polymer tubing and natural fiber thread. A patterned series of colored liquid/oil/air pixels are pumped into the tubes in a sequence dictated by data and/or sensors from the immediate environment and a series of computer-controlled valves, air compressors, and pumps.

The first conception of a computer was developed in 1801 by master silk weaver, Joseph Marie Jacquard - it was a mechanical loom that could run what we now understand as a ‘program’ to create detailed and elaborate textiles without painstaking manual labor. This was the first machine capable of automated task production, and the first known use of binary code. Though Jacquard’s loom performed a task we take for granted in it’s simplicity today, the technology eventually led to the groundbreaking work of inventors Charles Babbage, Ada Lovelace, and Alan Turing.

The Jacquard loom then is not just a relic, but the first ancestor, the Adam and Eve, to our modern computers. Because this history is all but forgotten in our understanding of humanity's digital maturation, C O M P U T E R 1 . 0 seeks to pay homage to the forbearers of computer history. This is a striking representation of this digital ghost; a handwoven cloth, with a programmed kinetic surface that brings to mind data, code, and communication infrastructure. Jacquard’s loom was an enormous driver of the Industrial Revolution, and simultaneously fostered the environment for the Luddite revolt as the work of thousands of laborers became increasingly mechanized.  C O M P U T E R   1.0 seeks to function as a historical lens that shows how our relationship to computing technology has always been fraught with juxtaposed promises of utopian and dystopian futures, while the reality consistently finds itself somewhere in between.

Computer 1.0 Craftwork
Computer 1.0 Craftwork
Computer 1.0 Craftwork
Computer 1.0 Craftwork

Credits

Created in collaboration with Julian Goldman

Production, Installation, and Documentation support from Jean Laureen Liang, Roger Miller, Sara Kay, Karla Spiluttini, Mike Wong, Mikyo King, Steven Burton, Rebecca McNamara

Exhibition support from the Museum of Art and Design, Tang Museum, BOZAR Centre for Fine Arts, Indianapolis Contemporary, 826 Currents, Governors Island Art Fair, Barney Savage Gallery, AFA Gallery

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Ancient Futures

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The Domestic Machine