Ancient
Futures
‘Ancient Futures’ is a multi-layered woven textile whose surface visually fluctuates based on the sentiment analysis of visitors’ shared stories. It is a participatory media installation capturing sonic textures and creating an evolving fabric of soundscape.
Inspired by the textiles that have held humanity’s secrets across time and space, this triple-woven installation is made with soft electronics to collect, store and cumulatively visualize solicited secrets from viewers using sentiment analysis and long term data-textile storage. Ancient Incans used Quipu to document economic and civil data. Enslaved people created a system of railroad quilts as they traversed the Antebellum Southern USA. During WWII, women knit secret war strategies into the sweaters of spies. Technical methods in weaving, knitting, sewing, etc. are able to hide and deliver sensitive details and encode important messages with a visual language that all humans are intimately familiar with: textile. We are creating a current, modern precedent in this textile tradition: “Ancient Futures” is a connection to the past and the future. One day this technology will be vintage, just as the quilting, weaving and sewing of precedents past was innovative for the time yet common and almost invisible today.
Ancient Futures collects secrets from anyone who shares them and visually animates the data across the textile using time as a dynamic variable to create an adaptive weaving. It is woven utilizing ancient traditions in triple cloth, overshot and modular weaving along with futuristic materials including fiber optics, proximity sensors, speech-to-text software, sentiment analysis, and LEDs. The woven cloth itself will visualize the collected secrets via a visual encoded system of color based on sentiment analysis via animations across the fiber optic LEDs. Over the lifetime of the textile and as the collection of secrets grows, the textile will also change. Its colors will adjust based on the nature of those secrets and timestamps. For example, increased expression of frustration could change portions of it towards blue while increased expression of joy could change other sections towards red.
As the textile travels and encounters more people - more secrets - its surface will become more dynamic and complex. In traveling around the globe, we hope this textile will be able to capture a sense of what it is like to be a human in the world right now, using the ancient wisdom of textile coding and the futuristic potential of digital technology.
"Ancient Futures" also delves into the realm of artificial intelligence, incorporating tools like ChatGPT to process and interpret the emotions of our visitors. By integrating AI into the operation and evolution of this piece, we explore new, pervasive technology as well as the intersection of human emotion and machine learning. The use of AI in this context allows for a nuanced understanding of the sentiments shared by participants, translating their stories into a curious and dynamic visualization.
Creating a Network of Communal Textiles
We see this project as an opportunity to explore the creation of a network of communal textiles. As this piece travels between different locations, it will become a dynamic time capsule of the emotions of a particular community. For the duration of DEMO2024 as part of the New Inc showcase, we displayed a satellite piece at the Center for Art, Research and Alliances (CARA) that showcased the stories shared at WSA.
Ancient Futures at The Australian Tapestry Workshop
Ancient Futures at CultureHub NYC
The New York Times
“Nicole Yi Messier and Victoria Manganiello would like you to talk to their textile. Just pick up the phone and tell it a story. Nothing elaborate — a simple story will do. The textile in question is a few feet away, 18 fabric panels suspended from the ceiling. While you’re talking, ChatGPT will decode the emotions, which are then displayed as colors on fiber optics running through the fabric. The system is constantly evolving, but depending on the circumstances, red could mean joy, blue might mean frustration, purple could signal sadness.” - Watching the Future Hatch in the New Museum Incubator
Credits
A Craftwork Collective project.
Oddly Good, Armature Fabrication & LED Enclosure Design
Exhibitors
CultureHub NYC, New Inc DEMO Showcase / New Museum, Natalie and James Thompson Gallery - SJSU, Clive Davis Gallery, Australian Tapestry Workshop, Prairie Ronde Gallery
Special Thanks
Christine Marcelino, Anne Warren, Giovanna Pedrinola